Welcome!

This is my blog for Tom Houston Photography. My aim here is to help share knowledge. I have been fortunate enough to know some very smart and helpful photographers who have helped me a lot with my photography. This blog is how I want to return the favour, give back and help out others.

I hope you enjoy,

Tom
Showing posts with label 17-55mm. Show all posts
Showing posts with label 17-55mm. Show all posts

Tuesday, 25 December 2012

Photo: Family Portrait

Hey folks,

To go along with my last video I did a family portrait with my cell phone (again sorry for the quality however it is better than last time) of all my lenses and cameras.  Hope you like it and I guess it is in time for Christmas haha.  Again I will be selling the 11-16mm and the 17-55mm and potentially the 35 f/1.8G as well.


Also I got new foam from Santa's elves for Christmas so I just re-foamed my Nanuk 925 hard case with my new kit.  It work pretty well and I am excited for my new gear.  So this means I can do a "what's in your bag" video soon because I have my new kit in my case.  Furthermore I got the Lowepro Photo Sport 200 AW bag as well which I will review after I do my D600 review when I get the chance.  I also forgot to do a 50mm f/1.4 D which I will do soon as well.

Hope everyone is having a great holiday!

Tom

Saturday, 22 December 2012

Video: Gear Review

Hey Folks,

Currently I am selling two of my lenses and I have acquired two new big things for my kit.  So right now I have the most gear I will have in a while probably.  Because of this I decided to make a video of all my gear going over quickly some pro's/con's of them.  I hope you enjoy the video and if you have any questions please don't hesitate to ask!

Videohttp://youtu.be/sMzt-XTFA9A

Tom

Monday, 19 November 2012

Video: Lens Review 17-55mm f/2.8G DX

Hey folks,

Just made/posted a video review for my 17-55mm so I hope it helps!

Tom

Thursday, 7 June 2012

Photos: First Batch From Southwest!

Hey,

So I uploaded my first batch of photos to my website!  You should check them out and I will be posting more later.  I still have panoramas and some other photos to edit still but I thought I would toss these ones up in the mean time.

You can find them all here http://www.tomhoustonphotography.ca/#/southwest!

Hope you enjoy these and stay posted for the rest.  I may have save some of my favourites for last.

Here is one of my favourites from this batch:

Zion, Utah - Taken from Scout Lookout - 17-55mm




Thursday, 24 May 2012

Video: Lee Filter System

Hey,


Soon I will be taking a trip to Arizona to photograph the southwest's epic landscapes.  I decided for this trip to invest in a filter system so that I can hopefully get better shots by being able to properly expose the sky with the amazing scenery.  


While I was researching what filter(s) and filter system to get I found there was a lot of confusing information and a lot of it was not easily found in the same place.  So I started to make a couple of videos to try to help anyone out there better understand the filters and filter systems if they are in the market for them.  So here is my intro : http://youtu.be/_2o34zKkevo which is basically what I covered here but still worth to watch since I outlined more things in it.


I also made a video on my filter system setup I got and I cover how it works and a couple other details, however I will make more videos to cover what I didn't cover in my setup video.  So if you want to see how the Lee Filter System is set up, here is the my video: http://youtu.be/v8cwTp_8w8U.


Hope that helps and stay posted for the other videos!

Sunday, 13 May 2012

Photos: Lock Shoot

Hey,

The rest of the photos are up now from my last sneak peek I posted.  Hope everyone liked them as much as I did.  I thought these were amazing photos are a great shoot.  So please go visit my site, www.tomhoustonphotography.ca and check them out!  Here is another photo that I really liked from the shoot:

Portrait - 17-55mm

Hope you like them!

Thursday, 10 May 2012

Photos: Sneak Peek

Hey,

Just did an amazing shoot on tuesday, had a lot of fun and here is the sneak peek from the shoot.  Below is one of my favourite shots form the shoot and there are two others on my website at www.tomhoustonphotography.ca in the new arrivals gallery.  The model was great and did a very good job even though by the end of the shoot her heels were soaked from standing in puddles for most of it.  Really like these shots, hope you do too!

Portrait - 17-55mm
Don't forget to go see the other photos on my site and I hope you like them!

Friday, 4 May 2012

My Lens Ratings

Hey,

I decided it would be useful to create a rating system for my lenses.  I will add these to the bottom of all of my Lens Reviews as well as have the links for them in this post.  I kept it a little basic and out of 5.  So 1 being an awful lens you should never buy and 5 being perfect, and I would change nothing about it.  I broke the rating into an overall rating and other categories best suited to what I have used the lenses for.  I thought this made the most sense since I won't rate it for doing something I don't use the lens for.  The overall rating I take into account everything about the lens beyond just the focus of what I use the lens for.  For example how well built it is etc.  Without further adieu, here are the ratings of the seven lenses I have owned:

Rating: Overall 3/5
For a beginner kit zoom lens: 4/5                                                                      
Overall lens: 3/5

Rating: Overall 4/5
Landscape Lens: 4/5
Overall: 4/5

Rating: Overall: 4/5
Portrait Lens: 4/5
Low Light Ability: 4/5
Overall: 4/5

Rating: Overall 4.5/5
Macro Photography: 4.9/5
Portrait: 4.5/5
Overall: 4.5/5

Rating: Overall 4.5/5
Portrait: 4.5/5
Low Light: 4.9/5
Overall: 4.5/5

Overall: 4/5

Full Body Portraits: 4/5
Low Light: 4/5Overall: 4/5

Rating: Overall: 4/5
Landscape: 4/5
Portrait: 3.5/5
Events: 4/5
Overall: 4/5

Best lenses I own in my opinion is the 50mm f/1.4D and the 105mm Macro VR.  Could have called that one haha.  I love the 17-55mm however being a zoom, it is versatile however it doesn't compare to the 50mm or 105mm.  However I would only sell it if I went FX/FF for the 17-35mm.  I am headed to Arizona soon and it might be the only lens I bring and I know it won't disappoint me.  Anywho, those are my ratings of the lenses.  Hope that helps!

If you want an in-depth review of the above lenses please click on the respectively lens and you will be linked to the its lens review post.  Also if you want to see my best work/portfolio please visit my site, www.tomhoustonphotography.ca.  Also it would mean a lot if you signed the guest book under the connect tab.  It would be neat to see where everyone is visiting my site from!  Also I don't mind if you sign it in another language other than english.  My french and spanish is alright and if not I will translate it somehow.  

Sunday, 18 March 2012

Photo: Composite

Hey,

Thought I would show this photo I did recently that made me laugh a little.  I was bored and it was very fun to plan/do.  I hope you like it.

Self Portrait(s)? - 17-55mm - Composite
Edited it together in Gimp.  It isn't perfect however I think it is good considering it is my third composite.

Hope you enjoy this!


Wednesday, 11 January 2012

Photos: Sneak Peek

Hey,

Here is a sneak peek of the photos I took earlier this week in my studio with a ballet dancer.  Hope you enjoy!

Portrait - 35mm f/1.8G

Portrait - 17-55mm f/2.8

Stay posted for the rest!

Sunday, 27 November 2011

Update: Studio IV

Hey,


Amazing news!  The studio is up and functional.


So I wanted to make a studio with the least amount of money spent and pretty much all DIY.  So I tried duct taping (inexpensive I know) the paper to the ceiling.  I had a feeling it wouldn't work but I wanted it away from the far wall because I wanted to keep the heater on.  The paper didn't stay up so I went to plan B.  Turn the heater off and then tap it to the wall itself and not the ceiling.  This will then give better odds of the paper staying up since the force being exerted is perpendicular to the tape instead of how it was set up being taped to the ceiling.  So far so good haha.  It could fall but I don't think it will.


I put some tacks into the tape just as a precautionary thing so that they might hold it enough if it is falling to give me time to notice.


Since I have a studio now (unless it falls down on me again) I will start doing more photography as well as I will change my Model Mayhem profile.  I decided that since I have a studio I could help models with their portfolios as well as building mine own doing shoots.  I have been contacted by a couple of models to do shoot however they have not had ideas of what to do.  So I think I will set it up that if they want Time For Print (TFP) then I will decide on the ideas unless the ones they have are going to build my portfolio. If their ideas wont build my portfolio I will charge for building their portfolio.


Additionally I might do graduation photos to make back some money form building the studio (which wasn't that much) however making money back form photography is never a bad idea.


I thought the construction of the studio would be a little more complex however it wasn't haha.  So my Updates did not have as much detail about the construction as I wanted but oh well.  C'est la vie.  If you have specific questions for me about the studio please do not hesitate and send me an e-mail at tomhoustonphotography@gmail.com.  Or you can comment on a post and I will respond via a comment.


So here are two photos from of the studio however it is hard to capture all of it with my 17-55mm.  Just to give some dimensions, the paper is on a 8'x8' plywood floor.  So it is roughly 9 feet tall and about 9 feet long by almost 9 feet wide.  So a fair size if I want group shots or even someone laying on the floor.


My studio.


My studio from a lower angle.
I hope you are as excited as I am about this.  So yes, one can build a studio in their spare room quite easily.  I spent less than $500 for sure on the materials to build it (excluding flashes/stands/umbrellas).  Now I shall get some flower series shots done hopefully!

Tom

Tuesday, 22 November 2011

Update: Studio III

Hey,

Exciting news!  Got the plywood with the help of a friend who graciously donated her time, vehicle and strength to help me get the plywood in my studio.  I decided that making a frame out of 2x4's to attach the plywood to is a little overkill in my case.  So I am just going to try to find a simple solution to stop the plywood from sagging a little when you stand in the middle of it.  It isn't a deal really but I will do that this week.  Then all I need to do is duct tape the paper to the ceiling and away I go.

So here is the updated plywood studio shot:

Studio with the plywood floor!

I am very exciting right now however I am super busy so I am not sure when I will get around to setting all this up.  But I don't exactly have time to be shooting in it anyways so I am not too concerned.

Hope you guys are all excited as I am!

Friday, 18 November 2011

Update: Studio II

Hey,


So I got the seamless paper as I believe I have said.  The roll is now sitting on the floor until I have the floor build.  But I can do another step until then, which is bring in some lights:


Studio, Check.  Seamless Paper Check.

Lights... Check


So I decided to take some photos to play around with the room even though I don't have the flooring or the paper up but... you don't need that to get good shots anyways.

When no one is around to model for you sometimes you must grab a tripod and your remote and do it all yourself...

Self Portrait - 17-55mm


And then if you really want to get all fancy and bust out two flashes with two homemade snoots...  Which can get some cool lighting:

Self Portrait - 17-55mm


So, here is the beginning... I am definitely looking forward to not being the model/lighting assistant/photographer all at once but sometimes you gotta do what you gotta do.

Hope you are as excited as I am about the potential of this room/studio.

Tuesday, 8 November 2011

Photo Shoot: Nighttime Fall Shoot

Hey everyone,

Don't worry, I am still here.  Just super busy is all and some of the good news is some of that busy is photography related.  Woo!  Anywho, here are some of the photos from one of my latest shoots.  I will talk about this one since I had an interesting experience with it but again I will talk about that in another informational post.  So for this one just enjoy the photos and you can go to the Flickr link (HERE) to see more of them at the end of Sarah's Album.  I now am usually placing the newest photos of a previously shot model into their own set instead of having multiple sets for each person.

Without further adieu:

Portrait - 50mm

Portrait - 17-55mm

Hope you enjoy these because I loved actually doing the bokeh thing with the lights with the 50mm being shot wide open.  Too cool.  (I think, for whatever that is worth).

Friday, 28 October 2011

Sneak Peak: Indian Falls

Hey,

So I went to another waterfall today and got some decent photos of it as well as nice shots on the hike.  I was lucky because there has been a lot of rain here so there was a lot of water at the falls.  Sadly I did not have my tripod however that was okay because I just laid on some rocks and set my camera on a rocky ledge over the falls.

So this is a sneak peak of one of the photos, enjoy:


Wednesday, 26 October 2011

Lens Re-Review: AF-S DX 17-55mm f/2.8 IF ED

Lens Re-Review AF-S DX

Hey,

I remember saying this lens wasn't as sharp as I wanted it to be for portraits however I just did an event for a friend's surprise birthday party and it may have changed my mind.  The photos were very sharp when I was at f/4.  This was not a problem because I was using it with the Sb-900.  Still not my 50mm but the 17-55mm does the job well.

Thought I would toss that out there as well.  But be sure to read my full review.

Thursday, 13 October 2011

Focus: Workflow

Hey,


So I thought I would do a quick-ish summary and walkthrough of how I edit my landscape photos.  More particularly my most recent waterfall shots at Inglis Falls.  I do pretty much the same type of things to my landscape photos but depending on the photo and exposure I tweak them all slightly differently but the same general gist.


I decided to use the waterfall shots since I used my timer on my camera which took multiple photos each time.  So I have multiple copies of pretty much the same shot, just the water looks slightly different in each one due to the water changing paths a little (no big deal).  And what better way to demonstrate the differences each of my edits do.


So first I will start with my unedited photo.  So this is straight out of the D90.


Unedited - Inglis Falls 
It is a good photo but I find it doesn't really catch the eye as much as it could.  Due to the long exposure, I think the colours fade just a little because it is a lot of light coming into the camera.  As well the photo is just a little lighter than I want it.  Not that I had the exposure off, or it was under or over exposed, just it is a little flat.

I do my editing in Aperture.  So if you have Aperture, thats great (go Mac) and if not that is okay since I am sure editing suits are all pretty much the same for what edits I am doing here.  So step one, I increase the contrast a little.  (On Aperture I upped it to 2.0)


Contrast - Inglis Falls
This helps catch the eye a little more since it a little darker, not as flat looking.  However you don't want to over do this (or any other edit for the most part) or else it will just look really fake.  As well, when you increase the contrast you lose a little detail in the dark regions of your photo so be careful.  If that is what you want, then by all means but personally I want landscapes to look like how I saw it.  That is why I love wide angle lenses since the photos don't look like a snap shot of it.  Anywho, back to the edits.  

The next two steps will help have the colours pop as well be more like how I saw them when I was perched on my rock taking the photos*.  So first I usually play with the saturation by increasing it a little. So the below photo is with contrast as well as and saturation increase. (Increase saturation to 1.1)

*(As I said in my post about these photos, I was with my friend who just purchased a D7000 so he took a shot I believe of me perched on my rock I had to climb onto to get these shots.  I will be writing a post about what one must do sometimes to get a "the shot." So it helped having my friend there to take a photo of me on my semi-sketchy rock in the river.)


Contrast + Saturation - Inglis Falls
Next to help with colour I increased the vibrancy a little which helps the colours be well, more vibrant (and for those who don't want the word used in it's def'n, the colours are more vivid and less dull).  (Increased the vibrancy to 1.0 I believe)


Contrast + Saturation + Vibrancy - Inglis Falls 
So with that, those are the main things I do to my landscapes to help them look a little more like how I saw it.  The D90/lens usually does a great job however in some cases these edits help a lot.  This was also a good example since the colours and over all image fades a little when you gather a lot of light when using slow shutter speeds, I find.  Using my macro lens I never touch the photos unless it is portraits.  So my frog's eye shot you may have seen (if not check it out), I didn't edit that at all.  No cropping or vibrancy, nothing.  However landscapes do sometimes need some work.  Before I was never one to really edit my photos however now I have learned to bring all my photos up to the same level and sometimes that means I have to do minor things to them.  When you put them all together, you can get one great shot.

Also I sometime burn or dodge photos (brighten/lighten) if certain areas would do better being darker or lighter.  I rarely do this because it usually looks bad (or I am bad at it) but I usually just stick to the contrast to control that.

So this is not the be-all-end all with editing but it is a few minor things you can do to make your photos pop a little more.

Sunday, 28 August 2011

Photos: Lavender Falls

Hey,

So I just went hiking today and I wanted to try to capture the motion of a river.  I have never really tried this properly so I thought I would give it a honest go this time.  It was a semi-cloudy day so I thought that this type of photo would be a good one to go after since there was not a lot of light.

My dad and myself went off to try to find a certain area of the Bruce Trail.  So off we went.  We found the river and then decided to hike along the bank to get to the small rapids that were further upstream.  This got a little risky from the mud and such but after a couple of minutes of trudging through mud I found a good spot.

So after a small amount of trial and error I got some decent photos.  The sun did come out more and more as the afternoon passed so I couldn't have the shutter speed I wanted.  As I wrote in my take on the exposure triangle, I just fiddled with the settings on manual to get the right shutter speed to catch the motion but the right aperture and ISO so that it wasn't one big blown out photo.

I am happy with my shots I got but I know I can do better.  I just need to find a better river and a cloudier day.  Maybe wait till fall since I will have a little more colour in the photos.  However one of my photos I did toss in black and white since it had some cool tones going on.

So here are my two photos I liked the most from the trek:

River Wisp - 17-55mm

Flow - Black and White - 105mm Macro VR
I hope you like the photos and thanks again for reading!

Thursday, 25 August 2011

Focus: Depth of Field

Focus: Depth of Field


So I mentioned Depth of Field (DoF) earlier in Part I, on exposure using aperture.  Changing your aperture settings of your lens changes the depth of field in your photos.  Now, what is depth of field?  It is the width of area in your photo that is in focus.  The larger your aperture (or smaller the aperture number) the smaller DoF you have.  So I demonstrated this using my portrait shot of my friend at f/1.4 (wide open/large aperture) with my 50mm f/1.4:


Portrait - 50mm f/1.4 D
So, I mentioned that the area of focus is just on her eye that is closest to the camera.  That is a very small or "shallow" DoF.  Another example of this would be some of my hand held macro work.  I need to use a wide open aperture to allow the most amount of light in to allow myself to have a fast enough shutter speed to not have any blur.  Some of my macro photos demonstrate a very small DoF which happens when you shoot macro photos with a wide open aperture.  This example of the dragonfly demonstrates just how small of a DoF we are talking:


Dragonfly - 105mm Macro VR
The depth of field in this photo is roughly the width of this dragonfly's head.  And when you look into the background it is completely blurred out.  This blurred out background is call bokeh.  Bokeh is not so much a cool hip trait for dragonfly portraits but more so for people portraits.  The photo above has very nice creamy bokeh.  The bokeh or out of focus background allows portraits to pop out a little more.


In landscape photography, as I also mentioned in Part I, needs a small aperture (or large aperture value) to create a large DoF so everything in the landscape is in focus.  Here is an example:


Boardwalk - 17-55mm
This photo just demonstrates that the depth of field is good because you can still make out the grass in the background and the boards going off into the distance.  In landscape photos you want the most detail you can get usually.  However in this photo the background isn't completely sharp because I focused more on the foreground because I wanted that area of the photo to be sharpest.  This was so that you looked at the bottom of the boardwalk first because it was sharpest, and then were led to the top of the photo.  The boardwalk gave your eyes a path, literally through the photo.  So you don't always have to follow photography rules especially if you have a game plan with what you are doing.

Depth of Field can be changed by Tilt-Shift lenses.  These flatten the DoF a little so that the DoF is more horizontal than just vertical.  This allows landscapes to have more detail because the DoF is flatter to the horizontal axis.  I personally have not used a TS lens so I have no examples and the photos would just look like a very sharp landscape photos from the foreground to background.  

Other manipulation of optics or in post-processing can blur the photo more to make the aperture effect on the DoF different.  Lensbaby lenses alter the effects of the DoF to blur areas of the photo while keeping certain areas of the photo in focus.  Again I have not tried one of these lenses so I am not an expert witness but that is the gist I have gotten from seeing the photos from those lenses.

So DoF can be a factor that makes or breaks a photo.  But just like most rules in photography, they can get tossed out the window from time to time.  It's art, who cares.  I am sure you can find an audience to like your photos even if you don't do the normal things with DoF.  But more often than not, DoF is a good thing to pay attention to since it is a large-ish part of photos.  

And with that I will wrap up my focus on DoF, I hope that helps and again if you have any questions or things you would want me to cover on my blog, do not be afraid to send me off a e-mail @ tomhouston7@gmail.com.

Sunday, 21 August 2011

Focus: Aperture. My Take On The "Exposure Triangle" Part I

Focus: My Take On The "Exposure Triangle" Part I


I cracked and decided to write posts on aperture, shutter speed and ISO.  I finished the reviews of my gear so I decided to move on and try to pass on more knowledge.  I am not an expert on exposure but I will share what I know.


First I will start with aperture however it is hard for me to explain these components separately since sometimes they are link together at times.  So aperture is the diameter of the lens diaphragm that is responsible for controlling how much enters to the film/sensor.  My best way to explain it is, the aperture of the lens is like the pupil of an eye.  So in low light or dark situations, the aperture can to be opened up to allow more light to enter just like a pupil dilates to allow more light to enter the eye.  And vice versa, in bright situations, the aperture closes to decrease the amount of light so the photo is not blown out.  The pupil also constricts in bright situations so you don't burn your eyes.  Aperture allows the photographer to control how much light the lens lets in which can brighten or darken the whole photo.


So now it gets a tad bit confusing.  Sorry, there is no way around it.  The lens, not the camera, is responsible for the aperture.  The camera can control the aperture of the lens but it is the lens that dictates the range of apertures available to you.  So on a lens, the aperture value is denoted by the f-value.  So the value is written as "f/__."  So for example, my 50mm has an aperture value of f/1.4.  So now the confusing part.  The smaller the f-value number, the larger the diameter of the diaphragm.  So f/1.4 can open up larger than a f/2.8, and an aperture of f/2.8 can open up wider than a f/4 etc.  I will go into aperture values and what is good at the end but first I will cover what these numbers are used for and how aperture affects photos.


The f-stops are in numerical values so that you can determine how much you are increasing or decreasing the light by.  So one stop of light difference, is if you go from f/2.8 to f/4.  So what that means is if I change my aperture from f/4 to f/2.8, I am letting in twice as much light through my lens.  It is just math and calculations on figuring out the numbers and how many whole/half/third of a stop difference there is between values.  I wont go into the math of it cause I find it boring and I never think of that in my head ever while I am taking photos.  To get by and use your aperture of your lens(es) well, you just need to understand how it works and the smaller the number, the large the diameter and vice versa.  It is go to know the approximate differences of the apertures so you roughly know how much more light you are letting in or keeping out.  However I have never taken a photo and said "man, I need to triple the amount of light being let in.  I need to change my aperture from f/2.8 to f/8."  I just know "okay, my photo is dark (or underexposed) so I need to let in more light so that means I have to increase the diameter of my lens," and therefore go to a lower f-value to achieve that.  And the opposite to a photo that is too bright where I have parts of the photo blown out or over exposed.


Now, I think it is important to briefly go over what other effects aperture has on photos other than just increasing and decreasing light.  The aperture selected also dictates the amount of area in the photo that is in focus which is called Depth of Field (DoF).  So, what on Earth does that mean?  Good question.  The Depth of Field or DoF is the width of the area of focus in the photo.  So I will use my photos to explain.  A small DoF would have a very little amount of the photo in focus.  Here is a portrait I took that has a very small or shallow DoF:


Portrait - 50mm f/1.4 D
So as you can see, the background is out of focus, her shoulder is not really in focus but just a thin sliver of the photo is sharp/in focus, which is in the same plane as the eye closest to the camera.  You can also tell this by looking at the hair laying on the front side of her shoulder.  If you look carefully, the hair goes from in focus to out of focus very quickly because the DoF, or the width of the area in focus is very small.  This time, the numbers line up... the smaller the aperture, the smaller the DoF.  So that shot above was shot at f/1.4, so the DoF was extremely small.  This is good for portraits for multiple reasons but one of them being is that you are focusing on the model and not any of the trees or the road in the background.  Also most of the face is out of focus which makes the skin look nicer and just makes portraits overall more flattering. 

While a small aperture value has a small DoF, a large aperture has a large DoF.  Example:

Cape Forchu, NS - 17-55mm
This photo was shot at f/11 which has a large DoF which is more suited for landscape photography because you want to have everything you can in the photo in focus.  The photo has the foreground of rocks that are in focus, to the lighthouse in the background.  If this was shot at f/2.8 which is the largest diameter the 17-55mm can go to, the foreground would be fuzzy if I focused on the lighthouse.  That isn't really wanted for landscape photography.  Well, I sure didn't desire it in this photo.  For myself personally I try to have my landscapes all in focus because I want my landscapes to look exactly like it was when I saw them.

Different aperture values have different uses.  Sometimes you have to use a wide open aperture (the smallest number your lens can do) to let in the most light if it is in a dark room for instance.  Sometimes on a bright sunny day you have to close your diaphragm right down so your photo doesn't look like you are being summoned to heaven (completely white everywhere or blown out).  The larger the minimum aperture, the more versatile the lens is because you have the option to gather a lot of light if you need to.  However which a larger diameter diaphragm, comes a larger diameter glass and larger pieces of glass makes a larger price tag.  

Lenses and apertures.  Kit lenses usually have a variable aperture.  This means the aperture has a range depending on the focal length of the lens.  My kit lens was the AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR.  Important part of the name for this post's purpose is 18-105mm f/3.5-5.6.  So at 18mm, so the widest angle of view, the lens could have an aperture of f/3.5 and up.  At 105mm, the lens could have an aperture of f/5.6 and up.  This means, as you zoom out from 18mm to 105mm, the lens needs to have a smaller diaphragm to make the optics work.  So as you zoom out, you lose some ability to let in as much light.  This for a lot of normal scenarios is manageable, however there are some cases where you do not want your aperture to change on you if you zoom.  So fixed aperture lenses are in my opinion and I believe almost everyone else's, are best.  Currently I have all fixed aperture lenses which means I can keep my lens at whatever aperture I want and zoom in or out and have it stay at the value I picked.  For an example I will use my example from the portrait above to help pull some of this together hopefully.  I wanted a shallow DoF in that portrait, so I set my lens to f/1.4, the widest the diaphragm in that lens can go.  If it was a zoom lens, and I decided to zoom in, and the aperture would changed then I would have a completely different look than the one I wanted.  More of the photo would be in focus which may not be flattering, and more of the background would be in focus which would make it more distracting.  Another example would be in a dark room which was actually the reason I bought a 50mm f/1.8 D.  I was at a dinner and didn't want to use a flash because it is a little obnoxious to do in a restaurant.  My kit lens couldn't let in enough light so all my photos were blurry and the colours were off because the shutter was open too long.  So that is another occasion to "need" a larger aperture or fixed aperture.  

Smaller apertures allow for the backgrounds of photos to be more out of focus which makes them less distracting and allows for some photos to just look better.  This is called "bokeh" which people pronounce as "bo-kay" or "bo-kah."  I don't know what is the right way to say since people say it differently.  I will cover that in another post since this one is already long enough.  So stay posted for my take on bokeh later.

So to sum up a little:

Aperture is the size of the diaphragm of the lens which dictates the amount of light that is let in as well as the DoF.  Which is like the pupil of an eye dilating and constricting depending on the light conditions.  And the Dof (Depth of Field) is the amount of area of the photo that is in focus which is controlled by the aperture.  The aperture is donated as f-values like f/2.8 which is fairly large diameter to f/16 or f/22 which is a very small hole.  So the smaller the number, the larger the diameter and vice versa.  Then for DoF, it is the smaller the f-value, the smaller the DoF and vice versa.  Fixed apertures that are small numbers usually are best because they can allow you to let a lot of light in compared to larger apertures.  Variable aperture lenses that have a variable range depending on the focal length of the zoom range make it more difficult to harness the light needed for photos sometimes especially indoors.  

The larger the aperture, the more light that you have access to which allows you to have a faster shutter speed.  I managed to keep shutter speed mostly separate from aperture which is nice because it makes it simpler that way but shutter speed will be the topic of Part II.

I hope that is simple and easy to understand.  Personally when I was getting a handle on all of these things I read multiple articles on the same topic so that I could build a strong understanding of it.  Also I went out and practiced shooting a lot which helps to have the "hands on" part of learning as well.  So if some of this is confusing or written poorly I am sorry but ask any of your questions in the comment section or read other sites on aperture and things will hopefully become clearer.  And don't forget to try it for yourself!

Here is a link to a video I made for my Youtube Channel on this topic.